A Sound Among the Trees by Susan Meissner

A house shrouded in time. A line of women with a heritage of loss.

As a young bride, Susannah Page was rumored to be a Civil War spy for the North, a traitor to her Virginian roots. Her great-granddaughter Adelaide, the current matriarch of Holly Oak, doesn't believe that Susannah's ghost haunts the antebellum mansion looking for a pardon, but rather the house itself bears a grudge toward its tragic past.

When Marielle Bishop marries into the family and is transplanted from the arid west to her husband's home, it isn't long before she is led to believe that the house she just settled into brings misfortune to the women who live there.

With Adelaide's richly peppered superstitions and deep family roots at stake, Marielle must sort out the truth about Susannah Page and Holly Oak— and make peace with the sacrifices she has made for love.

My Review:
The tale begins with a lovely garden reception for Marielle, the new bride of Carson, a widower, who lives with his two children, and his former mother-in-law, Adelaide, owner of Holly Oak, a southern mansion located in historic Fredericksburg, Virginia. The local group of "blue ladies" (so-called because of their hair color) gossip about the house's ghost, Susannah, Adelaide's great grandmother. Rumors have it that Susannah was a spy for the Union. Adelaide wants the rumors to stop, even though she does feel that Holly Oak brings misfortune to every female who resides there.

An vengeful house! This alone is enough to give me the creeps. Imagine, marrying a widow with two children and living in the haunted house with his former mother-in-law!

Susannah wrote letters to her cousin who lived in Maine. Those letters--once they're found--tell the story of the Civil War and put all gossip about Susannah to rest. I especially enjoyed reading about the Confederate uniforms being made (and hidden from the Union invaders).

In addition to the details of the times, the reader learns that love comes in many shapes. I heartily recommend this historical/romance fiction.

A Reader's Guide is included.

Thank you to FirstWildCard and Laura Tucker at Random House for my copy.

And now, an excerpt:

The bride stood in a circle of Virginia sunlight, her narrow heels clicking on Holly Oak’s patio stones as she greeted strangers in the receiving line. Her wedding dress was a simple A-line, strapless, with a gauzy skirt of white that breezed about her knees like lacy curtains at an open window. She had pulled her unveiled brunette curls into a loose arrangement dotted with tiny flowers that she’d kept alive on her flight from Phoenix. Her only jewelry was a white topaz pendant at her throat and the band of platinum on her left ring finger. Tall, slender, and tanned from the famed and relentless Arizona sun, hers was a girl-nextdoor look: pretty but not quite beautiful. Adelaide thought it odd that Marielle held no bouquet.

From the parlor window Adelaide watched as her grandson-in-law, resplendent in a black tuxedo next to his bride, bent toward the guests and greeted them by name, saying, “This is Marielle.” An explanation seemed ready to spring from his lips each time he shook the hand of someone who had known Sara, her deceased granddaughter. His first wife. Carson stood inches from Marielle, touching her elbow every so often, perhaps to assure himself that after four years a widower he had indeed patently and finally moved on from grief.

Smatterings of conversations wafted about on the May breeze and into the parlor as received guests strolled toward trays of sweet tea and champagne. Adelaide heard snippets from her place at the window. Hudson and Brette, her great-grandchildren, had moved away from the snaking line of gray suits and pastel dresses within minutes of the first guests’ arrival and were now studying the flower-festooned gift table under the window ledge, touching the bows, fingering the silvery white wrappings. Above the children, an old oak’s youngest branches shimmied to the tunes a string quartet produced from the gazebo beyond the receiving line.

Adelaide raised a teacup to her lips and sipped the last of its contents, allowing the lemony warmth to linger at the back of her throat. She had spent the better part of the morning readying the garden for Carson and Marielle’s wedding reception, plucking spent geranium blossoms, ordering the catering staff about, and straightening the rented linen tablecloths. She needed to join the party now that it had begun. The Blue-Haired Old Ladies would be wondering where she was.

Her friends had been the first to arrive, coming through the garden gate on the south side of the house at five minutes before the hour. She’d watched as Carson introduced them to Marielle, witnessed how they cocked their necks in blue-headed unison to sweetly scrutinize her grandson-in-law’s new wife, and heard their welcoming remarks through the open window.

Deloris gushed about how lovely Marielle’s wedding dress was and what, pray tell, was the name of that divine purple flower she had in her hair?

Pearl invited Marielle to her bridge club next Tuesday afternoon and asked her if she believed in ghosts.

Maxine asked her how Carson and she had met—though Adelaide had told her weeks ago that Carson met Marielle on the Internet—and why on earth Arizona didn’t like daylight-saving time.

Marielle had smiled, sweet and knowing—like the kindergarten teacher who finds the bluntness of five-year-olds endearing—and answered the many questions.

Mojave asters. She didn’t know how to play bridge. She’d never encountered a ghost so she couldn’t really say but most likely not. She and Carson met online. There’s no need to save what one has an abundance of. Carson had cupped her elbow in his hand, and his thumb caressed the inside of her arm while she spoke.

Adelaide swiftly set the cup down on the table by the window, whisking away the remembered tenderness of that same caress on Sara’s arm.

Carson had every right to remarry.

Sara had been dead for four years.

She turned from the bridal tableau outside and inhaled deeply the gardenia-scented air in the parlor. Unbidden thoughts of her granddaughter sitting with her in that very room gently nudged her. Sara at six cutting out paper dolls. Memorizing multiplication tables at age eight. Sewing brass buttons onto gray wool coats at eleven. Sara reciting a poem for English Lit at sixteen, comparing college acceptance letters at eighteen, sharing a chance letter from her estranged mother at nineteen, showing Adelaide her engagement ring at twenty-four. Coming back home to Holly Oak with Carson when Hudson was born. Nursing Brette in that armchair by the fireplace. Leaning against the door frame and telling Adelaide that she was expecting her third child.

Right there Sara had done those things while Adelaide sat at the long table in the center of the room, empty now but usually awash in yards of stiff Confederate gray, glistening gold braid, and tiny piles of brass buttons—the shining elements of officer reenactment uniforms before they see war.

Adelaide ran her fingers along the table’s polished surface, the warm wood as old as the house itself. Carson had come to her just a few months ago while she sat at that table piecing together a sharpshooter’s forest green jacket. He had taken a chair across from her as Adelaide pinned a collar, and he’d said he needed to tell her something.

He’d met someone.

When she’d said nothing, he added, “It’s been four years, Adelaide.”

“I know how long it’s been.” The pins made a tiny plucking sound as their pointed ends pricked the fabric.

“She lives in Phoenix.”

“You’ve never been to Phoenix.”

“Mimi.” He said the name Sara had given her gently, as a father might. A tender reprimand. He waited until she looked up at him. “I don’t think Sara would want me to live the rest of my life alone. I really don’t. And I don’t think she would want Hudson and Brette not to have a mother.”

“Those children have a mother.”

“You know what I mean. They need to be mothered. I’m gone all day at work. I only have the weekends with them. And you won’t always be here. You’re a wonderful great-grandmother, but they need someone to mother them, Mimi.”

She pulled the pin cushion closer to her and swallowed. “I know they do.”

He leaned forward in his chair. “And I…I miss having someone to share my life with. I miss the companionship. I miss being in love. I miss having someone love me.”

Adelaide smoothed the pieces of the collar. “So. You are in love?”

He had taken a moment to answer. “Yes. I think I am.”

Carson hadn’t brought anyone home to the house, and he hadn’t been on any dates. But he had lately spent many nights after the children were in bed in his study—the old drawing room—with the door closed. When she’d pass by, Adelaide would hear the low bass notes of his voice as he spoke softly into his phone. She knew that gentle sound. She had heard it before, years ago when Sara and Carson would sit in the study and talk about their day. His voice, deep and resonant. Hers, soft and melodic.

“Are you going to marry her?”

Carson had laughed. “Don’t you even want to know her name?”

She had not cared at that moment about a name. The specter of being alone in Holly Oak shoved itself forward in her mind. If he remarried, he’d likely move out and take the children with him. “Are you taking the children? Are you leaving Holly Oak?”

“Adelaide—”

“Will you be leaving?”

Several seconds of silence had hung suspended between them. Carson and Sara had moved into Holly Oak ten years earlier to care for Adelaide after heart surgery and had simply stayed. Ownership of Holly Oak had been Sara’s birthright and was now Hudson and Brette’s future inheritance. Carson stayed on after Sara died because, in her grief, Adelaide asked him to, and in his grief, Carson said yes.

“Will you be leaving?” she asked again.

“Would you want me to leave?” He sounded unsure.

“You would stay?”

Carson had sat back in his chair. “I don’t know if it’s a good idea to take Hudson and Brette out of the only home they’ve known. They’ve already had to deal with more than any kid should.”

“So you would marry this woman and bring her here. To this house.”

Carson had hesitated only a moment. “Yes.”

She knew without asking that they were not talking solely about the effects moving would have on a ten-year-old boy and a six-year-old girl. They were talking about the strange biology of their grief. Sara had been taken from them both, and Holly Oak nurtured their common sorrow in the most kind and savage of ways. Happy memories were one way of keeping someone attached to a house and its people. Grief was the other. Surely Carson knew this. An inner nudging prompted her to consider asking him what his new bride would want.

“What is her name?” she asked instead.

And he answered, “Marielle…”

Excerpted from A Sound Among the Trees by Susan Meissner Copyright © 2011 by Susan Meissner. Excerpted by permission of WaterBrook Press, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Lady In Waiting by Susan Meissner

Love is a choice you make every day.

Content in her comfortable marriage of twenty-two years, Jane Lindsay had never expected to watch her husband, Brad, pack his belongings and walk out the door of their Manhattan home. But when it happens, she feels powerless to stop him or the course of events that follow Brad’s departure.

Jane finds an old ring in a box of relics from a British jumble sale and discovers a Latin inscription in the band along with just one recognizable word: Jane. Feeling an instant connection to the mysterious ring bearing her namesake, Jane begins a journey to learn more about the ring—and perhaps about herself.

In the sixteenth-century, Lucy Day becomes the dressmaker to Lady Jane Grey, an innocent young woman whose fate seems to be controlled by a dangerous political and religious climate, one threatening to deny her true love and pursuit of her own interests.

As the stories of both Janes dovetail through the journey of one ring, it becomes clear that each woman has far more influence over her life than she once imagined. It all comes down to the choices each makes despite the realities they face.

My Review:
I loved the way the author told two stories within one book by flip-flopping settings between today's Jane and the Lady Jane Grey of the 16th century. Both tales were compelling. Both Janes had serious life choices to make that affected their futures. Bound into one work of fiction, this made for a very pleasant read.

Discussion questions are included.

Thank you to FirstWildCard and Cindy Brovsky at Random House for my copy.

And now, the first chapter:

Jane

Upper West Side, Manhattan

ONE

The mantle clock was exquisite even though its hands rested in silence at twenty minutes past two.

Carved—near as I could tell—from a single piece of mahogany, its glimmering patina looked warm to the touch. Rosebuds etched into the swirls of wood grain flanked the sides like two bronzed bridal bouquets. The clock’s top was rounded and smooth like the draped head of a Madonna. I ran my palm across the polished surface and it was like touching warm water.

Legend was this clock originally belonged to the young wife of a Southampton doctor and that it stopped keeping time in 1912, the very moment the Titanic sank and its owner became a widow. The grieving woman’s only consolation was the clock’s apparent prescience of her husband’s horrible fate and its kinship with the pain that left her inert in sorrow. She never remarried and she never had the clock fixed.

I bought it sight unseen for my great aunt’s antique store, like so many of the items I’d found for the display cases. In the year and half I’d been in charge of the inventory, the best pieces had come from the obscure estate sales that my British friend Emma Downing came upon while tooling around the southeast of England looking for oddities for her costume shop. She found the clock at an estate sale in Felixstowe and the auctioneer, so she told me, had been unimpressed with the clock’s sad history. Emma said he’d read the accompanying note about the clock as if reading the rules for rugby.

My mother watched now as I positioned the clock on the lacquered black mantle that rose above a marble fireplace. She held a lead crystal vase of silk daffodils in her hands.

“It should be ticking.” She frowned. “People will wonder why it’s not ticking.” She set the vase down on the hearth and stepped back. Her heels made a clicking sound on the parquet floor beneath our feet. “You know, you probably would’ve sold it by now if it was working. Did Wilson even look at it? You told me he could fix anything.”

I flicked a wisp of fuzz off the clock’s face. I hadn’t asked the shop’s resident and unofficial repairman to fix it. “It wouldn’t be the same clock if it was fixed.”

“It would be a clock that did what it was supposed to do.” My mother leaned in and straightened one of the daffodil blooms.

“This isn’t just any clock, Mom.” I took a step back too.

My mother folded her arms across the front of her Ann Taylor suit. Pale blue, the color of baby blankets and robins’ eggs. Her signature color. “Look, I get all that about the Titanic and the young widow, but you can’t prove any of it, Jane,” she said. “You could never sell it on that story.”

A flicker of sadness wobbled inside me at the thought of parting with the clock. This happens when you work in retail. Sometimes you have a hard time selling what you bought to sell.

“I’m thinking maybe I’ll keep it.”

“You don’t make a profit by hanging onto the inventory.” My mother whispered this, but I heard her. She intended for me to hear her. This was her way of saying what she wanted to about her aunt’s shop—which she’d inherit when Great Aunt Thea passed—without coming across as interfering.

My mother thinks she tries very hard not to interfere. But it is one of her talents. Interfering when she thinks she’s not. It drives my younger sister Leslie nuts.

“Do you want me to take it back to the store?” I asked.

“No! It’s perfect for this place. I just wish it were ticking.” She nearly pouted.

I reached for the box at my feet that I brought the clock in along with a set of Shakespeare’s works, a pair of pewter candlesticks, and a Wedgwood vase. “You could always get a CD of sound effects and run a loop of a ticking clock,” I joked.

She turned to me, childlike determination in her eyes. “I wonder how hard it would be to find a CD like that!”

“I was kidding, Mom! Look what you have to work with.” I pointed to the simulated stereo system she’d placed into a polished entertainment center behind us. My mother never used real electronics in the houses she staged, although with the clientele she usually worked with—affluent real estate brokers and equally well-off buyers and sellers—she certainly could.

“So I’ll bring in a portable player and hide it in the hearth pillows.” She shrugged and then turned to the adjoining dining room. A gleaming black dining table had been set with white bone china, pale yellow linen napkins, and mounds of fake chicken salad, mauvey rubber grapes, and plastic croissants and petit fours. An arrangement of pussy willows graced the center of the table. “Do you think the pussy willows are too rustic?” she asked.

She wanted me to say yes so I did.

“I think so, too,” she said. “I think we should swap these out for that vase of Gerbera daisies you have on that escritoire in the shop’s front window. I don’t know what I was thinking when I brought these.” She reached for the unlucky pussy willows. “We can put these on the entry table with our business cards.”

She turned to me. “You did bring yours this time, didn’t you? It’s silly for you to go to all this work and then not get any customers out of it.” My mother made her way to the entryway with the pussy willows in her hands and intention in her step. I followed her.

This was only the second house I’d helped her stage, and I didn’t bring business cards the first time because she hadn’t invited me to until we were about to leave. She’d promptly told me then to never go anywhere without business cards. Not even to the ladies room. She’d said it and then waited, like she expected me to take out my BlackBerry and make a note of it.

“I have them right here.” I reached into the front pocket of my capris and pulled out a handful of glossy business cards emblazoned with Amsterdam Avenue Antiques and its logo—three As entwined like a Celtic eternity knot. I handed them to her and she placed them in a silver dish next to her own. Sophia Keller Interior Design and Home Staging. The pussy willows actually looked wonderful against the tall jute-colored wall.

“There. That looks better!” she exclaimed as if reading my thoughts. She turned to survey the main floor of the townhouse. The owners had relocated to the Hamptons and were selling off their Manhattan properties to fund a cushy retirement. Half the décor—the books, the vases, the prints—were on loan from Aunt Thea’s shop. My mother, who’d been staging real estate for two years, brought me in a few months earlier when she discovered a stately home filled with charming and authentic antiques sold faster than the same home filled with reproductions.

“You and Brad should get out of that teensy apartment on the West Side and buy this place. The owners are practically giving it away.”

Her tone suggested she didn’t expect me to respond. I easily let the comment evaporate into the sunbeams caressing us. It was a comment for which I had had no response.

My mother’s gaze swept across the two large rooms she’d furnished and she frowned when her eyes reached the mantle and the silent clock.

“Well, I’ll just have to come back later today,” she spoke into the silence. “It’s being shown first thing in the morning.” She swung back around. “Come on. I’ll take you back.”

We stepped out into the April sunshine and to her Lexus parked across the street along a line of townhouses just like the one we’d left. As we began to drive away, the stillness in the car thickened, and I fished my cell phone out of my purse to see if I’d missed any calls while we were finishing the house. On the drive over I had a purposeful conversation with Emma about a box of old books she found at a jumble sale in Oxfordshire. That lengthy conversation filled the entire commute from the store on the seven-hundred block of Amsterdam to the townhouse on East Ninth, and I found myself wishing I could somehow repeat that providential circumstance. My mother would ask about Brad if the silence continued. There was no missed call, and I started to probe my brain for something to talk about. I suddenly remembered I hadn’t told my mother I’d found a new assistant. I opened my mouth to tell her about Stacy but I was too late.

“So what do you hear from Brad?” she asked cheerfully.

“He’s doing fine.” The answer flew out of my mouth as if I’d rehearsed it. She looked away from the traffic ahead, blinked at me, and then turned her attention back to the road. A taxi pulled in front of her, and she laid on the horn, pronouncing a curse on all taxi drivers.

“Idiot.” She turned to me. “How much longer do you think he will stay in New Hampshire?” Her brow was creased. “You aren’t going to try to keep two households going forever, are you?”

I exhaled heavily. “It’s a really good job, Mom. And he likes the change of pace and the new responsibilities. It’s only been two months.”

“Yes, but the inconvenience has to be wearing on you both. It must be quite a hassle maintaining two residences, not to mention the expense, and then all that time away from each other.” She paused but only for a moment. “I just don’t see why he couldn’t have found something similar right here in New York. I mean, don’t all big hospitals have the same jobs in radiology? That’s what your father told me. And he should know.”

“Just because there are similar jobs doesn’t mean there are similar vacancies, Mom.”

She tapped the steering wheel. “Yes, but your father said . . .”

“I know Dad thinks he might’ve been able to help Brad find something on Long Island but Brad wanted this job. And no offense, Mom, but the head of environmental services doesn’t hire radiologists.”

She bristled. I shouldn’t have said it. She would repeat that comment to my dad, not to hurt him but to vent her frustration at not having been able to convince me she was right and I was wrong. But it would hurt him anyway.

“I’m sorry, Mom,” I added. “Don’t tell him I said that, okay? I just really don’t want to rehash this again.”

But she wasn’t done. “Your father has been at that hospital for twenty-seven years. He knows a lot of people.” She emphasized the last four words with a pointed stare in my direction.

“I know he does. That’s really not what I meant. It’s just Brad has always wanted this kind of job. He’s working with cancer patients. This really matters to him.”

“But the job’s in New Hampshire!”

“Well, Connor is in New Hampshire!” It sounded irrelevant even to me to mention the current location of Brad’s and my college-age son. Connor had nothing to do with any of this. And he was an hour away from where Brad was anyway.

“And you are here,” my mother said evenly. “If Brad wanted out of the city, there are plenty of quieter hospitals right around here. And plenty of sick people for that matter.”

There was an undercurrent in her tone, subtle and yet obvious, that assured me we really weren’t talking about sick people and hospitals and the miles between Manhattan and Manchester. It was as if she’d guessed what I’d tried to keep from my parents the last eight weeks.

My husband didn’t want out of the city.

He just wanted out.